Joan laughed. “I’m a drummer boy,” she answered. “I beat my drum each week in a Sunday newspaper, hoping the lads will follow.” “Give him our love,” he said. “Tell him we came together, at the end.”!

“Hulloa. You’ve got ’em on,” she said. They had risen. Joan folded her hands. “Thank you for your scolding, ma’am,” she said. “Shall I write out a hundred lines of Greek? Or do you think it will be sufficient if I promise never to do it again?”

Joan remembered Folk, the artist she had met at Flossie’s party, who had promised to walk with her on the terrace at St. Germain, and tell her more about her mother. She looked up his address on her return home, and wrote to him, giving him the name of the hotel in the Rue de Grenelle where Mrs. Denton had arranged that she should stay. She found a note from him awaiting her when she arrived there. He thought she would like to be quiet after her journey. He would call round in the morning. He had presumed on the privilege of age to send her some lilies. They had been her mother’s favourite flower. “Monsieur Folk, the great artist,” had brought them himself, and placed them in her dressing-room, so Madame informed her. No, it would have to go. A religion that solemnly demanded of grown men and women in the twentieth century that they should sit and listen with reverential awe to a prehistoric edition of “Grimm’s Fairy Stories,” including Noah and his ark, the adventures of Samson and Delilah, the conversations between Balaam and his ass, and culminating in what if it were not so appallingly wicked an idea would be the most comical of them all: the conception of an elaborately organized Hell, into which the God of the Christians plunged his creatures for all eternity! Of what use was such a religion as that going to be to the world of the future? It seemed, in spite of its open door, a very silent little house behind its strip of garden. Joan had the feeling that it was listening.